Photo by Devin H on Unsplash
Most independent musicians have a Spotify profile, an Instagram bio, a TikTok, and a Linktree. The result is a fanbase scattered across five places that don't talk to each other, and zero of those places belong to the artist.
A music website fixes that. It's the one piece of online real estate you fully own, and the only place where you control the layout, the music, the store, and the relationship with the listener. Done right, it turns short-term attention from socials into long-term fans.
This is a practical, no-fluff guide to building one and using it to grow.
Pick a builder made for musicians, not a generalist tool you'll fight with.
Get a custom domain. yourname.com beats a free subdomain. Some music-focused builders include one in the plan; otherwise it's $10 to $20 a year on its own.
Build five pages first: home, music, store, about, contact. Skip everything else until v2.
Make the email signup impossible to miss. Email is the only audience you actually keep.
Send every TikTok, Reel, flyer, QR code, and live-show announcement back to the site.
Ship a clean v1 this week. Refine once you see what fans click on.
Why a music website is the smartest marketing move you can make
Step 8: Use the site to grow your audience (channel by channel)
There's a reason "build a music website" tops most music-marketing guides, and it's not nostalgia. It's leverage.
Algorithms can't take it from you. A change to TikTok's recommendation system can wipe a year of growth overnight. Your site doesn't move when the algorithm does.
Search works for you 24/7. Once your site is up and indexed, fans, bookers, and journalists searching your name find you, not someone else.
You own the data. Email addresses, sales records, ticket buyers. None of that exists on a streaming platform.
It plays nicely with everything else. Your TikTok funnels into the site, the site funnels into your mailing list, the mailing list sells the next release. Each piece compounds.
If you want the longer argument, why every musician needs a website covers the case in detail.
Choose a builder designed for musicians, register a custom domain, and set up five core pages: home, music, store, about, and contact. Embed your tracks, add a mailing list signup, and link the site from every social profile, video description, and live show. Most artists can launch a clean v1 in a single weekend.
Generalist tools (the famous ones you've seen ads for) can technically host a music site. The catch is that you'll spend hours hunting for plugins to embed a player, set up a store, and capture emails, then keep maintaining all of it.
A music-focused builder like Noiseyard ships those tools already wired together: player, store, mailing list, gigs page, templates. You spend the time on your music, not the plumbing.
When comparing platforms, check for:
A native music player (no third-party embed needed)
A store that doesn't take a cut of every sale
Built-in mailing list and newsletter tools
Templates that look like artist sites, not corporate landing pages
A mobile-first layout (most fans land from a phone)
A free trial long enough to build the whole thing
For a side-by-side rundown, the best website builders for musicians in 2025 breaks down the main options.
yourartistname.com is one of the most underrated upgrades in independent music. It does three things at once:
Makes you look real to press, curators, labels, and venues.
Helps your SEO. Search engines treat custom domains more seriously than free subdomains.
Locks down your name before someone else grabs it.
Some music-focused builders include the domain (registration, renewal, HTTPS) in the plan, so you don't pay for it separately and there's no DNS to configure. If your builder doesn't bundle it, registering one yourself runs around $10 to $20 a year through any standard registrar.
If your exact name is taken, try yourname-music.com, yourname-band.com, or yourname-official.com. Avoid weird hyphens, numbers, and overly long phrases. Stick to .com if possible.
Before opening a template, write down what each page is for. Keep it boring. Five pages is enough to launch:
Home: latest release, mailing list signup, a clear "listen" button, one strong photo.
Music: full discography with embedded players and links to streaming.
Store: digital downloads, physical copies, merch.
About / Bio: short, scannable, written in third person, with the keywords people search.
Contact: separate emails for booking, press, and general if you can.
You can grow into a press page, a gigs page, a blog, or a services page later. Most artists overbuild this on day one, then never finish. Start small and earn the extra pages.
If you want a deeper map of what each page can include, Noiseyard's musician website features page lists what's available, and this blog post on website features breaks down each one with examples.
This is the page that proves whether the site is worth the visit. Mistakes here lose you fans before they ever hit play.
Put a play button on the homepage. Don't make people click twice.
Embed full tracks where possible. Snippets feel cheap.
Always link out to streaming too (Spotify, Apple, Bandcamp, SoundCloud). Some fans want to save you to their library.
Use clean, high-resolution cover art on every release page.
Show release dates, credits, and lyrics where they fit. Curators love this stuff.
Even if you don't have merch yet, the store earns its place. You can sell:
Digital downloads (WAV, FLAC, MP3 bundles for fans who want a real copy)
Physical formats (vinyl, CDs, cassettes, USBs)
Merch (tees, hoodies, stickers, posters, tote bags)
Tickets and bundles
Lessons, custom songs, mixing services, shoutouts
If you're worried about upfront inventory costs, print-on-demand removes that risk. Products are made only when someone orders. We covered the full setup in this guide on print-on-demand for musicians.
The rule that matters most: keep the store on your own site, not just on a third-party marketplace. You earn more, you keep the customer relationship, and you don't lose them to "people who bought this also bought" recommendations for someone else's album.
This is the part most artists treat as optional. It's the most important thing on the site.
Email is the only direct line you keep. Spotify can change algorithms. Instagram can throttle reach. A subscriber on your list reads your message in their inbox until they choose to leave.
How to do it well:
Put a signup form on every page. Footer is fine. A small popup with a real reason works even better.
Offer something for signing up: an unreleased track, a free download, a discount code, early access to tickets.
Ask at checkout. When someone buys merch or music, they're already saying yes to you.
Send actual emails. A list you never use shrinks fast.
200 engaged subscribers will out-earn 20,000 passive followers on the average release week. That ratio holds across genres.
You don't need to become an SEO specialist. You just need to stop hiding from Google.
Most of the technical SEO is something a music-focused builder handles for you out of the box: title tags and meta descriptions, sitemaps, image alt text, mobile speed, and HTTPS are usually automatic. What's left is the content side, which only you can write:
Write a real bio with the words people search ("indie folk artist from Berlin", "house DJ in Manchester", "drum and bass producer"). Keep "sonic explorer of liminal spaces" for the press kit.
Get other sites to link to yours: blogs, playlists, friends' sites, press features.
Update the site every couple of months. Stale sites slip in rankings.
If your builder leaves the technical side to you, you'll also need to set the homepage title tag to your artist name, add alt text to every image, and turn on HTTPS yourself. The full SEO guide for musicians goes deeper on both halves.
Building the site is the easy part. Routing traffic to it is where most artists give up too early. Here's the channel-by-channel version.
Short-form video (TikTok, Reels, Shorts). Pin a video that ends with "full track on my site." Put your domain in your bio. Yes, you'll lose some clicks, that's how the platforms are designed. The fans who click through anyway are the ones worth having.
Live shows. A QR code on stage, on flyers, on the merch table. Send it to a "thanks for coming" page with a free download in exchange for an email. Half the people in the room will scan it.
Collaborations and features. Every guest verse, remix, or co-release is access to someone else's audience. Make sure the credit links go to your site, not a third-party profile.
Playlists. When you submit to playlists, your site is the page curators check to see if you're real. A clean website does more for placements than a stacked follower count. If you're new to this, this guide on getting your music on playlists is a good starting point.
Communities. Genre subreddits, Discord servers, niche Facebook groups. Show up to be useful, not just to drop links. When you do drop a link, send it to your home base, not a Linktree dead end.
Email and the mailing list. When you have something new, email first, social second. Your subscribers will share it for you if it's good.
A useful frame: socials are the road. Your website is the house. The road is busy. The house is quiet. The house is where people stay.
Spending three weeks on the design and one afternoon on the music page.
Forgetting the mailing list signup.
Sending traffic only to streaming platforms. You can't email a Spotify follower.
Old tour dates, dead links, broken players, missing artwork.
Splash pages, autoplay videos, or anything that delays the music by more than one click.
Stock photography that looks like a dental clinic.
Treating the site as a one-time launch instead of a living asset.
How long does it take to make a music website?
Most artists can launch a clean v1 in a weekend on a music-focused builder. Adding a store, blog, and press pages can stretch it to a couple of weeks if you're being thorough.
How much does a music website cost?
A music-focused builder usually runs $10 to $30 a month, depending on plan. Some include the custom domain (and its yearly renewal) in that price; others have you register one separately for around $10 to $20 a year. The pricing page is the easiest place to compare current numbers. Most platforms offer a free trial so you can build the full site before paying.
Do I need to know how to code?
No. Modern builders use drag-and-drop or template-based editors. If you can post on Instagram, you can build a music website on an artist-friendly platform.
Can I move my site if I outgrow the platform later?
You can always move your domain, your music files, and your mailing list. The design itself usually doesn't transfer between builders, so picking the right one early saves a future weekend of rebuilding.
Should I sell my music on streaming platforms or on my own site?
Both. Streaming is for discovery and reach. Your site is for ownership, profit, and direct relationships. The two work best together. This guide on selling music and merch online covers the split in detail.
What pages do I need on day one?
Home, music, store, bio, contact. That's enough to launch. Everything else is v2.
Do I need a website if I only release on Spotify?
Yes. Streaming gets you heard. A website is what gets you booked, bought from, and remembered. The two answer different parts of a music career.
The artists who get the most out of a music website aren't the ones with the prettiest theme. They're the ones who treat the site as a working asset: somewhere to send every fan, capture every email, and sell every release.
Build the v1 this week. Improve it later. The point isn't perfection, it's owning a piece of the audience you're working so hard to grow.
If you want a guided path through all of this, Noiseyard's step-by-step setup for making a music website gives you the templates, player, store, and mailing list pre-wired, with a free trial so you can publish your music first and shape the rest after.
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